Only it was now the minute inadequacies of texts’ formal properties that were exposed.A kind of extreme philosophical relativism—a decentered reality—became vogue.
Only it was now the minute inadequacies of texts’ formal properties that were exposed.A kind of extreme philosophical relativism—a decentered reality—became vogue.Tags: Good Sat Essay TopicsHow To Write A Research Paper For PublicationIntroduction Pro Choice Abortion EssayResearch Papers On BiotechnologyFormatting Research PaperLiterature Review QuestionsLogic In Critical ThinkingBefore The Law Essay
It is masterful that in a short novel Morrison is able to disassemble the western-centric worldview based on abstractions, and demonstrate the effective alternative of the Mac Teers’ embodied blues-oriented worldview. Blues Aesthetic, Jazz Structure, and Embodiment Larry Neal, a central black cultural theorist of the Black Arts movement, writes in a landmark essay: “The Black artist takes…that his primary duty is speak to the spiritual and cultural needs of Black people…these writers are re-evaluating western aesthetics, the traditional role of the writer, and the social function of art.
Implicit in this re-evaluation is the need to develop a ‘black aesthetic’…the western aesthetic has run its course: it is impossible to construct anything meaningful within its decaying structure” (29).
A few centuries later, in mid-twentieth century literary studies, New Criticism’s interpretive practices were based on a conservative estimation of literature that removed any external influence upon the study of the text and pushed concentration and attention onto elements of form only.
After structural theories of language gave way to post-structuralism, the ability of texts to convey real meaning from a real author to a real audience was further called into question, though the focus of scholarship was often largely still preoccupied with form.
She employs many structural improvisations to tell this story, and in the end, the text is richer for it.
But how can we engage with this technique and artistry on a deeper, more fundamental level than a simple stylistic analysis of Morrison’s prose and by making observations about her structure?
Next, I discuss the jazz structure of the novel in terms of an embodied understanding of the world—how embodiment as a guiding principle for text construction impacts point of view, characterization, and what format the language takes on the page.
Then, I parse out the specific uses of metaphor as aspects of the text that display a tremendous reliance on the mind’s inherently metaphorical cognitive processes of creating an understanding of environment and social reality through constructions that are rooted in bodily, physical experiences.
She not only hears the blues, but she listens to and, more importantly, ‘sings’ the blues.
Indeed, the blues define her storytelling voice and style” (Moses 629).