In addition, Raskolnikov’s sister, Dunya, who has left her job as a governess for Svidrigailov because of his improper advances toward her, arrives in St. Dunya intends to marry a man named Luzhin in order to improve their financial and social position.
The narrative follows the twists and turns of Raskolnikov’s emotions and elaborates his struggle with his conscience and the tightening noose of suspicion.
Sonya follows him to Siberia and visits him at every opportunity. Raskolnikov does not repent for the murders and continues to emotionally shut out Sonya and the other prisoners.
However, after an illness, he at last comes to the realization that happiness cannot be achieved by a reasoned plan of existence but must be earned by suffering. The narrative’s feverish compelling tone and its moving depiction of the recovery of a diseased spirit contributed to its status as a masterpiece.
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He forbids Dunya to marry the pompous Luzhin, who offends Dunya to the point that she breaks off the engagement.
Raskolnikov repeatedly visits Sonya, but he behaves in such an unhinged manner that she is frightened.