Criticism And Fiction And Other Essays

Criticism And Fiction And Other Essays-66
Maybe because the other thing about Cyclops was that he too had a taste for human flesh.”◇ ◇ ◇For the 1973 summer reading issue, Morrison wrote an essay about the pleasures of cooking out, describing the scene so vividly you can almost smell the potatoes frying and taste the syrupy-sweet peach cobbler.“Mama stood and put her jealousy into the paper bag with the egg shells and began to whip the eggs with a slow, wide and generous beat. He directed the boys to the coolest part of the lake to sink the beer in. Cooking, honey, cooking under the stars.”◇ ◇ ◇“Too tired? Not just the bone‐marrow fatigue of reading about the latest outrage in outrageous South Africa.

Maybe because the other thing about Cyclops was that he too had a taste for human flesh.”◇ ◇ ◇For the 1973 summer reading issue, Morrison wrote an essay about the pleasures of cooking out, describing the scene so vividly you can almost smell the potatoes frying and taste the syrupy-sweet peach cobbler.“Mama stood and put her jealousy into the paper bag with the egg shells and began to whip the eggs with a slow, wide and generous beat. He directed the boys to the coolest part of the lake to sink the beer in. Cooking, honey, cooking under the stars.”◇ ◇ ◇“Too tired? Not just the bone‐marrow fatigue of reading about the latest outrage in outrageous South Africa.

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"This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent in exploration of textual criticism, genetic criticism, and literary criticism.

In these sixteen stimulating contributions, he develops theories of textual criticism and editing that are inflected by our advance into the digital era; structurally analyses arts of composition in literature as well as music; and traces the cultural implications discernible in book design, and in the societal processes of the canonisation of works of literature and their authors.

And when ship loads of slaves became a race of 30 million was that really only because I was fecund?

”In her 1971 essay “What the Black Woman Thinks About Women’s Lib,” Morrison wrote:“They look at white women and see them as the enemy — for they know that racism is not confined to white men, and that there are more white women than men in this country, and that 53 percent of the population sustained an eloquent silence during times of greatest stress.

This feeling of tender familiarity and brutish alienation provides tension and makes the trip down home delicate in its bitterness and tough in its joy.”◇ ◇ ◇Morrison could be a scathing book critic.

Reviewing Regina Nadelson’s biography of Angela Davis in 1972, Morrison described it as “a Cyclopean view of Angela Davis that leaves the reader with a wholly useless biography, somehow offensive in its one‐eyed stare. Told the older girls how to bile the coffee proper and to get them roastin’ ears out of the sun.At the moment, it resides outside the pages of this book.She is somewhere, though, some place, just as she always has been, up to her pelvis in myth, asking those sad, sad questions: When I was brave, was it only because I was masculine?It can be tedious and tempestuous but it’s ultimately cathartic. Anyway, so I spent my Superbowl Sunday organizing the most important section of any critic’s collection: literary criticism and biography.Not only is this my favorite shit to read, but I also refer to them so often that they’re also the most practically necessary.Toni Morrison, who died Monday at 88, is best known for her literary fiction, starting with her 1970 debut, “The Bluest Eye,” and continuing through her 2015 novel, “God Help the Child.” But she was an incisive cultural critic and essayist as well, putting her mind to everything from black feminism to Disneyland.Below are some of her reviews and writing for The New York Times.◇ ◇ ◇In her 1971 review of “To Be a Black Woman: Portraits in Fact and Fiction,” edited by Mel Watkins and Jay David, Morrison wrote: “Somewhere there is, or will be, an in‐depth portrait of the black woman.After I finished, I posted a photo of the beautifully and temporarily full shelves (I’ve already pulled like six books off that I’m using for current pieces) on Twitter, and someone asked me if I had any particular favorites.I wasn’t at home when I got the tweet, so to even consider responding at the time was unthinkable.Perhaps this is because as a self-identifying literary critic there isn’t much else for people to ask me—this field doesn’t exactly make for the most riveting party talk.But whatever the reason, I thought I’d put together a list of the criticism that I most admire and to which I repeatedly refer.

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